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Check Out This Awesome Comic-Con Poster for Pixar's Toy Story That Time Forgot!

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Back in January, Pixar announced that - although they may not be releasing a feature film this year - they will be releasing their second Toy Story TV special this holiday season. Toy Story That Time Forgot is making an appearance at this year's San Diego Comic-Con, and this immense poster - which will be given out to attendees of Pixar's panel at SDCC - has just popped up online!

The truly awesome poster is by comic book artist Mike Mignola (Hellboy), and we're exceedingly jealous of the lucky SDCC attendees who'll get to walk away with a copy of it on Thursday. More details on the Pixar panel at the event over at The Pixar Times.

Here's the synopsis we got for the TV special back in January:
"During a post-Christmas play date, the 'Toy Story' gang find themselves in uncharted territory when the coolest set of action figures ever turn out to be dangerously delusional. It's all up to Trixie, the triceratops, if the gang hopes to return to Bonnie's room in this 'Toy Story That Time Forgot.'"
It's directed by Steve Purcell (creator, Sam & Max; co-director, Brave) and introduces a new character called Reptillus Maximus, voiced by Kevin McKidd (Trainspotting, Brave).

If it's even a fraction as good as the fantastic Toy Story of Terror! was, we're in for a treat when Toy Story That Time Forgot airs on ABC this Christmastime. 

Studio Ghibli's Future: What's Next for the Revered Studio?

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After all the craziness that rose up recently over the alleged closure of Studio Ghibli, I was going to write an editorial mourning its closing and celebrating its legacy. Fortunately, those reports have been debunked and Studio Ghibli is still open, albeit not quite as we knew it. A restructuring is imminent and the prospect of closing down its production team is not far fetched. So now that the three people who have managed the studio for 29 years (Hayao Miyazaki, Isao Takahata and Toshio Suzuki) have retired, what's next for the celebrated studio? And what can they do to avoid shutting down? We'll take a look at how things have been running and how the studio can improve those things and re-emerge as a stronger studio, ready to look into the future and continuing to provide audiences with stellar motion pictures.

No more 'One Man Show'

Ghibli's "Big Three": Hayao Miyazaki, Toshio Suzuki and Isao Takahata.

One of the first things known that come to mind when you think of Ghibli, and perhaps one of its biggest flaws, has been that it, largely, has been a one man show. Even though, many individuals have directed Ghibli films, none of them carry the same weight as Hayao Miyazaki. Both in its native Japan and in the western hemisphere, Miyazaki's films are a bigger draw than any of the other films put out by the studio. Just look how much his last film, The Wind Rises, grossed at the Japanese box office ($113 million) against Takahata's, The Tale of Princess Kaguya ($22 million), and you can see that people don't really care for films that are not directed by him. The fundamental problem here is that there was never a clear successor (or successors) to Miyazaki. Neither Goro Miyazaki nor Hiromasa Yonebayashi had positioned themselves to carry the Ghibli brand after Miyazaki's retirement. That's not to say we need someone to copy Miyazaki's style, but rather to create distinct films that audiences will recognize as belonging to the studio. Unfortunately, with Miyazaki's retirement, Studio Ghibli is now in a similar situation to that of Disney Animation after Walt died. The lack of clear successors is a problem, because people are stuck copying a style instead of creating and nurturing their own. If Ghibli wants to succeed in this next phase, they need a variety of individuals that can nurture their own style and not rely on just one individual to succeed.

Better and faster licensing/distribution deals


Japan has the joy of enjoying a new Ghibli film almost every summer, but the rest of the world needs to wait a frustrating amount of time until the film reaches them. In a modern world where almost every film gets released simultaneously (or very close to its original release date) all around the globe, it works against the studio that most of the world has to wait an insane amount of time to see their films. After all, a subtitled/dubbed version of the film can be done rather quickly, so it's not too far fetched for a Ghibli film to arrive quicker to the rest of the world. Also, they need to improve their licensing deals with worldwide distributors. While Disney introduced Ghibli to the western hemisphere, in recent years they've being doing a pretty poor job distributing these films both theatrically and on home video. They ultimately dropped their distribution deal, which passed onto GKIDS, but in terms of home media, they are very slow and show no signs of improving. I think Ghibli needs better distribution deals, where the distributors can release their films with an appropriate marketing campaign and with release dates closer to the Japanese one. Also, they need to broaden their licensing deals to other parts of the world, like Latin America. I live in Ecuador and there's no distribution whatsoever for Ghibli films. The only way to see their films is through bootlegged copies (I don't condone piracy but when there's no other way, what can you do?). It's imperative for the studio to build a worldwide brand as recognizable as Pixar or Disney if they want their films to succeed outside of their homeland.

Make the audience care


Now this is the trickiest part of the situation. For all the awe and admiration that Ghibli films earn, that doesn't often translate into money. And, unfortunately, money is what is going to be needed to keep the studio afloat. Outside of Japan, Ghibli films make very little money and that's because the audience don't really care for the films. Yes, the animation community shows its support for the studio, but in terms of money, we are the minority. When the films arrive to Europe or the US, their box office receipts are very paltry to say the least, making their financial situation difficult. So how can the audience be made to care more about these films? Well, as I stated above, faster and better licensing deals are one way to pique interest in the films, but a well done marketing campaign can also go a long way. The truth is: audiences are unpredictable and, no matter how good a film is, sometimes they just don't respond to it. However, if the conditions improve, there's a chance that these films can gain more exposure around the world.

Closing thoughts


Ghibli's hiatus can be seen as a positive thing, as the studio may be preparing for their next step after Miyazaki's retirement. A restructuring is paramount if the studio wants to survive and build the next generation of Japanese animators and filmmakers; a generation that has a great legacy to live up to, but, with the right training and nurture, one that can make Studio Ghibli a powerhouse studio known all around the world, just like its US counterparts are. Let's just hope that this step back won't mean the closing of this great studio, but rather the rebirth of a stronger one.

Watch: Enter the Danger Zone with New Trailer for Penguins of Madagascar

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The "untold story" of the Madagascar franchise's most entertaining characters hits cinemas this November, and DreamWorks recently rolled out a new trailer for the film. And, in sticking with everything we've seen from the film so far, it looks rather fun. Check that new trailer out below!

As DreamWorks are wont to do (see Kung Fu Panda 2, Puss in Boots, MegamindRise of the Guardians and... you get the idea), the new trailer features adorable kiddie-versions of the main characters. That - alongside Irish jokes, baby squid interrogation and a song choice that Sterling Archer would be proud of - makes Penguins of Madagascar look really pretty fun so far. And, with the upward trend of quality of the Madagascar films from the sort of shoddy first one, we have high hopes for this.



Penguins of Madagascar is directed by Simon J. Smith (Bee Movie) and Eric Darnell (Madagascar 1, 2 and 3) and introduces the voices of Benedict Cumberbatch, John Malkovich and Ken Jeong; it also packs - and this genuinely isn't a joke - a narration cameo by Werner Herzog. It's due on 26th November (US)/5th December (UK).

Animated Films that Need Blu-ray Releases ASAP

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In this day and age, where digital streaming is becoming the norm and physical media is waning, it's nonetheless hard to believe that some of the most celebrated animated films aren't available in HD yet. Here's a list of the films that need a Blu-ray release as soon as possible. This list applies to US releases.
Aladdin (already available in the UK)


One of the most celebrated Disney films of all times is still not available on BD in the US. A Diamond Edition was reportedly coming in Spring 2013, only to be replaced by Peter Pan; rumours that it was coming this fall were then debunked when Disney announced they were re-releasing Sleeping Beauty (a film that has already had a Blu-ray release). Now, the most recent rumour is that it will be released in fall 2015 which is still a long way from now.

101 Dalmatians (already available in the UK)


Another Disney classic that still needs a BD release in the US. Rumour has it that it will get the 'Diamond' treatment in Spring 2015.

Aardman films (Chicken Run/Wallace & Gromit/Flushed Away)


The first three films from the celebrated UK studio (distributed by DreamWorks Animation) are still missing a HD release. Reports surfaced earlier this year that a 3-movie collection Blu-ray release was going to be released in May, but it was just a DVD release. DreamWorks Animation haven't said anything on the matter so we really don't know when we will see these films in glorious 1080p.

The Prince of Egypt


DreamWorks Animation has been very slow at releasing their catalogue titles, but this year they released Spirit: Stallion of the Cimarron - a very middling animated film. A much better film, The Prince of Egypt, is still awaiting a BD upgrade. Rumours say that it'll be released around November/December to coincide with the new Ridley Scott film, Exodus: Gods and Kings - but there's no confirmation of that yet.

The Iron Giant


Brad Bird's first film is a fantastic and heartfelt adventure that has been mistreated by its distributor (Warner Bros.) from the start. News arose this year that they were preparing a Blu-ray release, but the director said it was a barebones release and that he wanted a more comprehensive edition (as we all do). How about treating the film right for the first time, Warner?

Studio Ghibli films (most of them) (already available in the UK)


Disney have been very slow releasing these films in the US. But with the news of the revered Japanese Studio taking a break, it's the perfect time for Disney to start releasing the films faster. There has been news surfacing that Kiki's Delivery Service, Princess Mononoke and The Wind Rises are going to be released in November, but still with no official confirmation. However, Miyazaki is not the only Ghibli director - so how about giving us films like Pom Poko, My Neighbours the Yamadas and The Cat Returns as well?

The Triplets of Belleville


Sylvain Chomet's great French film that was nominated for the Oscar but is still missing a Blu-ray release in the US. US distributor Sony Home Entertainment has not given any update on the matter.

Tokyo Godfathers


The late Satoshi-Kon is better known for his last hallucinogenic masterpiece, Paprika, but his previous film is a wonderful and heartfelt adventure of three misfits taking care of a child. As with The Triplets of Belleville, Sony Pictures haven't said anything about an upgrade.

DC Animated Universe


The DC Animated Universe may not be comprised only of films, but it's one of the best animated franchises ever. A universe that includes Batman: The Animated Series, Superman: The Animated Series, Static Shock, Batman Beyond, Justice League (the only one that have been released on Blu-ray so far) and Justice League Unlimited; these shows not only made DC relevant to audiences of all ages but they are still more highly regarded than many live-action iterations of the characters. Also, in this universe lies one of the best Batman films ever: Mask of the Phantasm, which needs a BD upgrade as well (another solid film, Batman & Mr. Freeze: Subzero, also needs an upgrade). With Warner celebrating the 75th anniversary of Batman this year by releasing (once more) Burton's Batman and the 60s TV series, why can't they do the same for their animated franchise - which is perhaps their greatest accomplishment of all?

What other animated films do you think need to get Blu-ray upgrades? Tell us in the comments below!

DisneyToon Studios' Future: What Options Does it Have?

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Earlier this week, reports surfaced that there were going to be some layoffs at DisneyToon Studios, the studio responsible for the Tinker Bell and Planes series. The reason? There wasn't an specific one but it's not too hard to see why the layoffs occurred. The Tinker Bell series is done, with Legend of the Neverbeast being its last instalment, and the second film in the Planes franchise, Fire and Rescue, didn't do nearly as well as the first did last year. With the home media market shrinking every year, there are not many options for a studio that has specialized in producing home video products since its inception.

Let's start with the obvious. DisneyToon was an ill-conceived studio from the very beginning. Unlike most studios where creativity is the most important element, DisneyToon was created with the sole purpose of making money from low-cost productions. Creativity is an unknown word at DisneyToon and, as you have probably seen, you can tell how low quality their productions are. However, for parents, these productions were a good way to keep the little ones occupied. While we Disney fans balked at the endless "cheapquels"that were produced for most of the Disney classics, they sold very well and turn a profit for the company.


Things got better when John Lasseter assumed control of the studio and halted production of all "cheapquels." Instead, he gave the studio a new purpose: to create spin-offs to well known franchises that, while still having a small budget, could deliver better results than before. So that's how the Tinker Bell and Planes franchises were born. Things looked better because the Tinker Bell series now offered better quality films to the public, and, at first, they were very popular. Of course, the main goal was still to make money, but at least some creativity was included in the process, making the films enjoyable - if still somewhat forgettable. At least they were no longer offensive to most Disney fans and didn't tarnish the legacies of great films.

Unfortunately, their way of doing business is now obsolete, as their main market is no longer the hot commodity it once was. The home media market is going through some radical changes and revenues have been decreasing. Suddenly, the Tinker Bell series is not so hot anymore and the Planes series crashed in its second outing. What can they do? It's not like people will mourn the closing of the studio like they did when Studio Ghibli was supposedly closing its doors. DisneyToon don't have a legacy to speak of and I'm sure many people will even rejoice if the studio closes its doors. The only downside is that more people will be out of a job, which is always unfortunate, but what can a studio with a poor reputation, no legacy to speak of and no specific goal do?


Well, the easiest path is obviously to close down the studio, fire the remaining people that work there and be done with it. For the Disney Company, that won't represent any significant loss, since they have three other fully functional animation studios (Walt Disney Animation Studios, Pixar Animation Studios and Disney Television Animation) that are big money makers, and the general audience won't even care. But this situation can also be seen as an opportunity to reinvent DisneyToon and create a studio that would no longer be seen as the "ugly duckling" of the company. Many people around the web have said that the studio could be used as an experimental studio, where Disney animators can develop darker or more mature stuff that they can't develop in the big studios. I think that's a great idea. They could turn DisneyToon into a sort of "Disney Double Dare You," the studio that was supposedly going to be created between Disney and director Guillermo del Toro to release darker stuff - but that sadly never came to fruition. Turning DisneyToon into a darker studio would not only give it a better reputation, but also win it a fanbase that doesn't consist only of 5-year olds.


Another idea that has come to me is, instead of doing feature films, DisneyToon can become a TV content producer. Not for family entertainment, (since Disney Television Animation has that market) but to release mature programs. Just imagine having the first adult-oriented animated drama, sci-fi or fantasy show on TV and then releasing them on networks like HBO or Netflix? They could also make comedies, but more adult-oriented ones and release them the same way. This not only will give them more adult fans, but will validate DisneyToon's existence as an innovative animation studio. The opportunities are just endless.

In stark difference to Disney Animation and Pixar, who make movies for all the audience, DisneyToon has exclusively been a "Kiddie studio" up until now, just aiming for toddlers and little children. Right now, it's future is in jeopardy and the obvious thing to do is to shut it down since it's have never been a highly-regarded studio anyway. However, if the the Disney Company is willing to take a chance, I think they can turn DisneyToon into a revolutionary and daring studio. Either by making experimental and darker projects, or by tackling more mature TV shows, DisneyToon can join their big brothers as a valid animation studio. The future can be bright for DisneyToon, if the company is willing to take the risk.

Pixar's The Good Dinosaur Getting "Completely Reimagined"

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While Pixar is getting ready to release their much anticipated and talked about film Inside Out next summer, we've known very little about their next project scheduled for November 2015. As you may already know, The Good Dinosaur was scheduled to be released this past May only to be postponed and its director removed. After that, the only thing we knew was that the Pixar Story-Trust was working to save the project and a new release date of November 25, 2015 was scheduled. We haven't heard much about the project until yesterday when /Film broke the news that the film has been "completely reimagined". This words came from actor John Lithgow who plays the main protagonist's father.


According to Lithgow:
I recorded the entire role in Good Dinosaur.  They have now dismantled it and completely reimagined it, and it is a fantastic new story.  So I’m gonna record again on it within the next month.  Don’t worry.  It’s coming and it’s gonna be better than I ever imagined. 
Considering that we barely knew anything about the film, this update comes as huge news. While a complete retooling of the film may seem troubling, it's not the first time Pixar has done this to great results and Lithgow sounds very optimistic about it. He also offers some little update in the casting.

But me and Frannie McDormand, we’re still playing Momma and Poppa dinosaur.
So, at least it appears that the same cast that was announced in the 2013 D23 Expo still remains although we can't know for sure until Pixar give us a solid update. Also, we still don't know who is replacing Bob Peterson at the director's chair (although I have a feeling that co-director Peter Sohn has stepped in). Personally, this update has gotten me excited to see this film and I look forward to see how it all ends up.

Are you excited for The Good Dinosaur? Do You think this reimagining is a good thing? Sound off Below!

Source: /Film


Watch: Singing Volcano in First Clip from Pixar's Lava

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Yahoo! Movies have released the first clip from Pixar's charming new short film, which does indeed feature a singing volcano, Lava! A creative idea, the first (albeit short) Pixar musical and stunning animation make this an extremely intriguing short film. Check out the lovely little clip below.



Uku the volcano is looking for someone "to lava" in this short directed by James Ford Murphy, a first-time director. The "musical love story that takes place over millions of years" opens on 19th June, 2015 in the US and 24th July, 2015 in the UK.

We may not be getting a Pixar film this year, but they certainly seem set to have a triumphant return from hiatus in 2015, with Pete Docter's Inside Out and this great little short preceding it.

Meet Wisnton, The Star of Disney's Upcoming Short Film, Feast

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Yesterday was (apparently) International Dog Day. So, in recognition of that, USA Today released an exclusive look at the canine star of Walt Disney Animation Studios' next short film, Feast! So, meet cute little Boston terrier Winston!

The short's director Patrick Osborne says Winston is like any of us: "Looking for food and some kind of emotional connection." (I know that's most of what I look for, to be fair..). On the plot of the short, USA Today says that Winston, a stray pup, "finds both when he discovers a human named James on the other end of a french fry. The story follows their growing friendship over a 12-year span based on the meals, some accidentally spilled, they eat — all seen from Winston's point of view."


The story sounds absolutely great; whimsical, charming and great fun. But what's even more arresting (for me, anyway, as a fan of the tech that goes into all of this) is that the short now definitely seems to have been animated using an evolution of Disney's Meander system, the software used to bind together CG 3D worlds and traditional 2D hand-drawn characters that we first saw in 2012's Oscar-winning Paperman. Now though, the system has introduced colour too, and these first images are absolutely stunning. In a world where there is precious little hand-drawn animation on the big screen, it's a refreshing and thrilling sign to see shorts like this paving the future of the hand-drawn animation medium.

Feast opens before Big Hero 6 on 7th November (US)/30th January, 2015 (UK).

DreamWorks Pushes How to Train Your Dragon 3 to 2017

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As How To Train Your Dragon 2 is crossing the $600 million dollar mark worldwide, DreamWorks Animation have just announced that the third instalment in what's arguably their best franchise has been pushed back, from its original release date of 17th June, 2016 to almost a year later, 9th June, 2017.

The move was not explained but some have pointed out that the delay is likely to prevent Dragon 3 going head to head with Pixar's Finding Dory. This is an understandable decision, since Finding Dory is the sequel to one of Pixar's most successful films and features its breakout star in the lead role. How To Train Your Dragon 2 was very successful around the world, but didn't soar as high in the US, despite rave reviews and excellent word of mouth. By releasin the film one year later, DreamWorks avoids any direct competition, although Dragon 3 is now sandwiched between The Lego Movie 2 and an untitled Pixar film, so we'll see if the move pays off in the end. If anything, let's hope that this extra time will allow the filmmakers to craft a wonderful story to close this (supposed) trilogy in grand fashion.

How To Train Your Dragon 3 now opens on 9th June, 2017, is again directed by Dean DeBlois and features the returning voice cast of Jay Baruchel, America Ferrera and Cate Blanchett.

What do you think of DreamWorks' decision? Do you think it's the right move? Sound off in the comments below!

Disney to Release New Frozen Short Film Next Year

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Disney have announced a follow-up film to their billion dollar smash-hit Frozen - just not in the form of a feature. No, next year, Walt Disney Animation Studios will release Frozen Fever (an apt term to describe the time since the film's release, actually...) an all new short film, in a similar fashion to the Tangled Ever After short the studio released in 2012.

Given Disney went this route with Tangled, and given that Frozen was many times greater a box office success for the studio than that film, it's no surprise that the Mouse House would greenlight this. And it's great to see Walt Disney Animation Studios continue to fight the trend of releasing sequels to their successful films,

Frozen Fever will premiere in spring 2015 and features the returning voice cast of the feature film, and a brand new song, again written by Robert Lopez and Kristen Anderson-Lopez! Directors Chris Buck and Jennifer Lee and producer Peter Del Vecho will also be returning. We've no details on in what capacity the short will be released (although it being on the Big Hero 6 Blu-ray would make sense), but we do have a brief synopsis:
"it’s Anna’s birthday and Elsa and Kristoff are determined to give her the best celebration ever, but Elsa’s icy powers may put more than just the party at risk."

Well, we here at A113Animation absolutely loved Frozen, so we're extremely excited about this! What do you lot think?

Via Disney Insider

Watch: Baymax and Hiro Meet in New Big Hero 6 Clip

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Disney recently aired The Story of Frozen: Making a Disney Animated Classic; as well as providing the history of the highest-grossing animated film of all time and announcing the Frozen Fever short film, the TV special also featured a brand new clip from Walt Disney Animation Studios' next film, Big Hero 6. And here it is! Check the funny new clip out below.



He's not all ass-kicking robot-suited up, but Baymax is hilarious and absolutely adorable. The odd friendship between Baymax (voice of Scott Adsit) and Hiro (Ryan Potter) definitely brings to mind such great films as Lilo & Stitch, How to Train your Dragon and even Wreck-It Ralph. And, if this clip is any indication, Big Hero 6 looks to be entirely different to - but just as enjoyable as - Frozen.

Big Hero 6 is directed by Don Hall and Chris Williams and opens on 7th November (US)/30th January, 2015 (UK) and is preceded by the short film, Feast (have a look at that here).

Animation Turnaround #1: Shrek (2001)

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Welcome to Animation Turnarounds, a new section where I will review animated films that, for one reason or another, represented a change of direction for their respective animation studios and the industry in general. Unlike the Disney Retrospectives, these reviews won't be in chronological order and will feature a variety of films from different studios and nationalities. So, join me in celebrating these films that have made a dent in the animation industry, starting right now with Shrek:

Shrek arrived at the best time for the animation industry and for its studio, DreamWorks Animation, which up until that point was playing second fiddle to Disney Animation (which was entering its darkest era yet) and rising star Pixar Animation Studios, which had been revolutionizing the animation industry since Toy Story's release in 1995. CEO Jeffrey Katzenberg wanted to create a studio that could rival these titans but, in its first years, DreamWorks was not seen as serious competition. Shrek changed that and not only turned DreamWorks Animation into a powerhouse studio but also, for better or for worse, became the template of how its films (and many films from other studios too) were made for most of the last decade.

Shrek came at a time when fairy tale films were winding down and most people were tired of them. By spoofing them, the story felt fresh and original, and the adult jokes and innuendos were welcomed by the adult audience. Add in pop culture references and celebrity voice casting, and Shrek created the template by which most animated films were created for the greater part of the last decade (and still to some extent are today). True, Aladdin was the first film that did that, but Shrek took it to a whole new world (pun intended) and cemented this formula as a recipe for success in the animation industry. The film was a box office success, put DreamWorks Animation on the map and won the first Oscar for Best Animated Feature, beating Pixar's Monsters, Inc.

But, how does the film hold up after all these years and after its franchise has ended (at least for now)? Pretty well, I must say. True some jokes are not funny anymore and some pop culture references feel dated, but, on the whole, Shrek still offers a nice, funny story with some heart underneath its wacky tale. The three leads still remain pretty strong and entertaining. I still think it was a nice twist to make the ogre, who is usually the antagonist, the hero and fall for a human woman (at least for most of the film). Shrek is an imperfect and lonely guy who is very sensible on the inside, Fiona remains a very spunky character and her chemistry with Shrek remains great, and Donkey is still a funny sidekick. Moreover, Lord Farquaad remains a funny and yet menacing villain who is another highlight of the film. The animation is a little bit dated, but still holds on fairly well and it's not a distraction.

The 'Shrek phenomenon' has dimmed since the first film was released, mainly because many lesser films were trying to copy its formula without the same level of success. Shrek has often been maligned because it started a trend of films that felt juvenile and sitcom-esque. However, when viewing without any baggage, Shrek remains a strong and funny film and its influence in the animation industry is undeniable. Rating: 4/5.

Next Week:


Idris Elba and Dominic West Wired Up for Finding Dory

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Former The Wire co-stars Idris Elba and Dominic West are reportedly now part of the voice cast for Pixar's hotly anticipated Nemo sequel, Finding Dory! Or so says Dominic West, anyway.

Talking to ShortList about keeping in touch with friends from the cast of the acclaimed TV drama, West mentioned in what capacity he's been seeing Elba (also previously the star of BBC's Luther) recently; namely, as part of the voice cast for Dory"I saw Idris recently," West said. "We’re both in the sequel to Finding Nemo, so we were recording that."

Both guys have worked with parent company Disney before/currently; West was the villainous Sab Than in Andrew Stanton's (who just so happens to also be directing Finding Dory) John Carter, and Elba will be Shere Khan in the studio's upcoming live-action Jungle Book film, as well as already playing watchful Heimdall in both Thor films.

Finding Dory also stars the voices of Ellen DeGeneres, Albert Brooks, Diane Keaton, Eugene Levy, Ty Burrell and Willem Defoe. It opens on 17th June, 2016.

Animation Turnaround #2: Coraline (2009)

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Laika made a splash in 2009 when they released their first animated film, Coraline. Done entirely in stop-motion, the film is a rarity in mainstream animation, because it's one of the few truly spooky family films that has appeared on the big screen. Based on the famous novel by Neil Gaiman, Coraline represented a rebirth for the stop-motion format and a glorious return for director Henry Selick (The Nightmare Before Christmas), who crafted a lovingly terrifying world and made Laika a force to be reckoned with.

Perhaps not a huge box office success, Coraline nonetheless proved that stop-motion is a valid and beautiful way of creating an animated film. Gaiman's spooky book translated perfectly into this cinematic world. Stop-motion is still a struggling medium, but Laika is making sure it stays alive in the industry. Perhaps Coraline was not as big a game changer as Shrek was, but still, in its own subtle way, Coraline dared to challenge the status quo of the animation industry, where many studios are happy just to play it safe with stories for kids. Coraline challenged those preconceptions and proved that family films do not have to be dumbed down, but can instead engage every member of the family. Thanks to this, Laika's follow-up film, ParaNorman, went even further in challenging these preconceptions and the studio is now known as one that takes risks in order to tell its great stories.

Even if it wasn't a box office juggernaut, Coraline has done nothing but grow in popularity since it was first released. Most people agree that Coraline is a masterpiece, and with good reason. The story offers a unique and terrifying glimpse of the dangers of appearances; Coraline's "other world" is perfect on the outside but very dangerous inside. Coraline, the character, comes across at first as a boring and somewhat annoying lead, but evolves and becomes a courageous girl who overcomes her dangerous situation by outsmarting one of the most terrifying villains that has ever been in an animated film. Add in an array of colourful and eccentric characters (including one of the best animated cats ever) and much beautiful and nightmarish imagery, and Coraline provides a unique and rewarding experience on every front. In a world where most studios are releasing CG films, it's refreshing to have somewhere like Laika, which is going against the tide and releasing masterful films like this one.  Rating: 5/5.

Next Week:

Watch: New Big Hero 6 Trailer Focuses on the Characters

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The second full-length trailer for Disney's Big Hero 6 is remarkable for a number of reasons. One such reason is that - in what's an extremely rare move for a trailer for a Hollywood film of this size - it actually focuses on the characters, rather than just a bunch of big action set pieces. Another reasons is that it's really, really good.

Now, all this isn't to say the new trailer is bereft of action (there is in fact a healthy dose of awesome flight and fight sequences towards the end), but front and centre is the heart-warming relationship between pint-sized boy genius Hiro and his robot pal Baymax. We also get much more of a look at the rest of the titular 6 in this trailer too. Fred (voiced by Silicon Valley's T.J. Miller) is particularly hilarious. And the song choice is top-notch.

Check the new Big Hero 6 trailer out below:



Big Hero 6 is directed by Don Hall and Chris Williams, stars the voices of Ryan Potter, Scott Adsit, Damon Wayans, Jr., Jamie Chung, Maya Rudolph and Alan Tudyk (bet he's the villain...), and opens on 7th November (US)/30th January, 2015 (UK). It'll be preceded in cinemas by the short film Feast (more on that here).

Also, you may notice Baymax, along with a few others (I am Groot!), is now in our logo at the top. This awesome redesign is once again courtesy of our resident Tintin-lover and logo-maker, Damien. Thanks to him, and we hope you enjoy it!


Animation Turnaround #3: Toy Story (1995)

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If there's a film that deserves the title of "Turnaround," it's Toy Story. The film completely and single-handedly changed the animation industry and its repercussions are still felt today. Just as Snow White introduced the animated feature film in 1937, Toy Story introduced a new way of making these films and now most mainstream animated films are done that way. CG animation was almost non-existent before Toy Story, mostly relegated to backgrounds, environments or creatures (for example, the stampede scene in The Lion King or the ballroom scene in Beauty and the Beast), but a fully CG animated film was thought an impossible task. Not only did Toy Story prove that notion wrong, but it also launched Pixar Animation Studios, one of the most highly regarded studios in the world. Toy Story came as a breath of fresh air for audiences and was a direct answer to Disney's Broadway formula, which by that time was starting to show signs of exhaustion.

But the novelty of a new medium can only carry the film so far. Had Toy Story been a lousy film, CG wouldn't have soared to the popularity it has now and the movie would have been seen as a novelty rather than a breakthrough. Fortunately, Toy Story is a great film and it has stood the test of time very well. Aside from the animation, which does look a little dated by today's standards, the story and the characters still pack a lot of punch and it remains one of the bright spots in the Pixar canon (which is saying something). The film also spawned two equally acclaimed sequels and a franchise that is one of the most popular and beloved ones in the world.

I won't go into details about the story because chances are you've already seen it countless times. What I will say is that the film still impresses with witty jokes that don't feel dated, edgy characters who have genuine emotions and a great story of friendship and discovery. I'm still amazed by how imperfect Woody is and how much he learns in this journey (a journey that continues beautifully in the next two films). He is a multi-layered and flawed character who can commit some reprehensible acts, but who never fails to feel human and relatable. How well the character is portrayed is a testament to Pixar's ingenuity. Buzz's journey is a beautiful one too, as he makes some discoveries about himself and learns his place in life. Overall, the film is still funny, touching and relevant, almost 20 years later.

Toy Story represents a before and after for the animation industry. It launched CG animation as a valid medium for producing animated films and made Pixar Animation Studios a titan in the industry. CG animated films are now the norm (which is somewhat sad since Toy Story also signalled the decline of traditional animation - but that's another discussion) and Toy Story still holds up incredibly well. A classic through and through. Rating: 5/5.

Next Week:

Watch: Inside Out Teaser Takes Us Through a Montage of Pixar Emotions

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In the absence of a feature film release, it's been a rather quiet year for Pixar news. But here, at long last, is the teaser trailer for Pixar's fifteenth feature film, Inside Out. The trailer introduces the five main characters of the new film, by reminding us of the times each of the emotions has cropped up in Pixar's previous classics. It's being billed as "a major emotion picture" and here's the trailer.



As well as making me want to watch every single Pixar film again, (well, maybe not quite the Cars ones...) the trailer makes Inside Out look phenomenal. The animation is superbly vivid and colourful and the characters look immensely fun. Looks like another winner from Pixar!

Here's the synopsis Disney provided:
From an adventurous balloon ride above the clouds to a monster-filled metropolis, Academy Award®-winning director Pete Docter (“Monsters, Inc.,” “Up”) has taken audiences to unique and imaginative places. In Disney•Pixar’s original movie “ Inside Out,” he will take us to the most extraordinary location of all—inside the mind.
Growing up can be a bumpy road, and it's no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy (Amy Poehler), Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith). The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley's main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.

Director Pete Docter, who started at Pixar in 1990, said Inside Out "was exciting because we could visualize locations like long-term memory, the subconscious, abstract thought, dream production—concepts that are already familiar to people."Adding, "[it] gives us a chance to take the audience to a world that everyone knows about but no one has ever been before." Producer Jonas Rivera, who started at the studio in 1994, said of Docter: "Pete thinks up the kind of movies that I want to see—which makes them the kinds of movies I want to produce."


Inside Out is directed by Pete Docter, co-directed by Ronnie del Carmen and produced by Jonas Rivera and hits cinemas on 19th June, 2015 (US)/24th July, 2015 (UK).

Here's Our First Look at the Angry Birds Movie, And Its All-Star Cast

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Frankly, who knows whether the Angry Birds Movie will be good or terrible... But if this surprisingly great first look at the characters as they'll appear in the film - and the solid and diverse voice cast - is anything to go on, it might surprise us yet.

We also learned who will be voicing who - and it's also mighty impressive. Jason Sudeikis (Horrible Bosses) will lead the cast as Red, Josh Gad (Frozen's Olaf) is the yellow bird, Chuck, Danny McBride (This is the End) is the massive black bird, Bomb. Alongside them, Bill Hader (SNL, Cloudy with a Chance of Meatballs) seems to be voicing one of the villainous Piggies, Maya Rudolph will voice the white girl-bird, Matilda, and Peter Dinklage (Game of Thrones, X-Men: Days of Future Past) will be voicing the Mighty Eagle.

Red (centre) is voiced by Sudeikis, Chuck (to the right of Red) by Gad, Matilda
(to the left of Red) by Rudolph and Bomb (left of Matilda) by McBride.

Also on the cast are Tony Hale (Arrested Development, Veep), Danielle Brooks (Orange is the New Black) and, oddly, Smosh (y'know, from YouTube...). Clay Kaytis and Fergal Reilly (animation industry veterans but directorial newbies) are at the helm, Jon Vitti (The Simpsons) is writing, and it's being produced by some of the people behind Despicable Me, Iron Man and Star Wars: The Clone Wars.

The strange oval-isation of the formerly round Red bird aside, this Angry Birds news is all good! Particularly Dinklage, (although hopefully he sounds a little more enthusiastic than he did in Destiny) Gad and Hader. This could be very good; the lack of story to the game could work in the film's favour, with the talented filmmakers having free rein. Hopefully this ends up more like The Lego Movie and less like Battleships... It opens on 1st July, 2016.

Inside Out First Impressions: A New Era for Pixar.

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Pixar's 15th feature film is coming next summer and last week we got our first glimpse of the film, via a very good teaser trailer. Aside from making us remember all the good emotions that the Pixar films have helped us experience throughout the years, the teaser also shows us the main protagonists of the new film - with charming results.

Inside Out has been the subject of high anticipation since it was announced; its premise has been hailed as original and fresh, with most of the internet claiming that this film will be "a return to form" from Pixar, who have been the subject of attacks since 2011, when Cars 2 stormed into theatres. These past, post-Toy Story 3 years have been harsh for the animation studio, with many people saying that Pixar has "lost its touch" or are "only doing sequels." Add to that the troubled productions of Cars 2 and Brave and the complete overhaul that The Good Dinosaur is undergoing, and Inside Out is seen as the breath of fresh air that the studio needs.


For the record, I don't share the notion that Pixar "lost their magic," but it's undeniable that their last three films are not in the same league as those up to Toy Story 3. That does not mean they're bad, but rather that, compared to their predecessors, they do suffer a little. As I've said in the past, I think Pixar is going through a period of decline, which is typical for most studios. That's not the same as saying they're going "downhill," but merely that they are in a period of transition, and during such periods there will naturally tend to be some conflict and some dip in quality.

Fortunately,with Inside Out, it looks like Pixar is taking the reins again and is ready for a new era. I like to think that this year they took off helped them rethink and plan their strategy for their future slate. In the teaser, Pixar is celebrating its great legacy (which is amazing considering Toy Story is only just 19-years-old this year) while offering an exciting new film. The teaser reminds us why we loved Pixar in the first place and why we are going to keep loving it. The new characters seem funny and endearing and, while not many details are given, what little footage is shown is enough to get us excited. We are still many months away from the release, but the teaser already shows a Pixar that's ready to shut up the naysayers and give fans another film to love. It already looks like a new classic.

Inside Out, directed by Pete Docter and produced by Jonas Rivera,  premieres on 19th June, 2015 in the US and on 24th July, 2015 in the UK.

The BoxTrolls Review - An Uneven But Utterly Charming Film

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The BoxTrolls is Laika's third stop-motion wonder; it's a bizarre and enchanting film that looks just wonderful. The animation is absolutely stunning and the world that the crew have created is rich with detail and hard work. The story doesn't quite hit the same highs that Coraline and ParaNorman did, but it nonetheless offers plenty of charm, making it an enjoyable ride.

*Some spoilers below*

The BoxTrolls opens in a decadent Victorian town, whose leader, Lord Portley-Rind, is more concerned with eating cheese than running the town. The town lives in constant fear of the BoxTrolls who live underneath the city and only come out at night. They think the BoxTrolls were responsible for the kidnap and murder of a child called "the Trubshaw Baby." There's an extermination unit, headed by Archibald Snatcher (Ben Kingsley) whose only goal is to exterminate all the BoxTrolls, with the aim of joining Lord Portley-Rind and his council of "White Hats" and eat cheese all day. However, the child was not murdered, rather, he now lives underneath the city with the BoxTrolls. He also now goes by 'Eggs,' - named for the box he wears (all BoxTrolls are named after the box they wear, so we have a film populated with characters called things like Fish and Shoe...). The BoxTrolls live in constant danger, because Snatcher is one by one catching them, and their only defence mechanism is to hide in their boxes. One night, Eggs encounters Winnie, a smart girl, obsessed with the BoxTrolls, who also happens to be the daughter of Lord Portley-Rind. Together, they discover a plot to destroy the BoxTrolls and must try and stop it. On the way, Eggs discovers many things from his past and how he came to live with the BoxTrolls.


The BoxTrolls offers plenty of enjoyment, with many elaborate action sequences; the humour is very "British," staying in tune with the setting. The characters vary from charming to despicable - there are plenty of unlikable characters in here, but they add to the whole premise of the film: you should take kids seriously. There are also many heartfelt moments, especially those between Eggs and the rest of the BoxTrolls (especially with Fish; the relationship between he and Eggs is the heart of the movie). The film is also lighter than its predecessors and there's much more humour and comedy than in the previous two films. The humour is uneven, though, as the jokes don't always land... But overall, there's plenty of enjoyment here.

Now, the main problem with the film is that it doesn't balance the humour and the dark moments all too well. Coraline and ParaNorman were pretty dark films (they did have some humour, but overall they were serious) and they stuck with that tone for the entire runtime. The BoxTrolls attempts to do both, but the change in tone does not blend well and there are humorous moments that are cut short because of some dark revelations; likewise, there are dramatic moments that get undermined by cheap gags.


I also had a problem with the character of Snatcher. He is the antagonist, yes, but while he does many menacing and despicable things, he also has a few too many ridiculous moments that feel out of character. It seems that the directors weren't sure how to handle him. They wanted to make him menacing and funny, and they didn't entirely succeeded with that.

Another problem is that the film also takes the gravitas away from many dramatic and dark moments by fixing them mere minutes later. There's a very dark scene about Eggs's past that gives the film a wonderfully twisted arc, but the whole thing gets solved near the end, making the whole scene feel unnecessary. A character is also tossed into the film, and the relationship he develops with Eggs feels undeveloped and probably could have stayed in the editing room. It looks like the filmmakers wanted to add many elements to the story, instead of keeping it simple, and the results are not ideal. Sometimes less is more, and this film suffers from excess of story. The climax also overstays its welcome and it seems the directors didn't quite know how to wrap up the film, extending it unnecessarily.


On a more positive note, the film has very distinct personalities, with Eggs, Winnie, and Snatcher's henchmen being standouts. There are many smart scenes and much smart dialogue - one twist involving Snatcher, in particular, is very clever and funny. Dario Marianelli's score also adds to the story, with great compositions that help the film's atmosphere to be more believable and fantastical at the same time. The cast is also wonderful, with Isaac Hempstead-Wright, Elle Fanning and Ben Kingsley giving standout performances. Kingsley is especially good in the role of the vile Snatcher (even if the character himself is a little uneven) and he lends some extra oomph to the whole thing.

I've been reading many criticisms levelled at the film because of its looks, and many reviewers have called the film "ugly." I find this utterly preposterous. Yes, the film is set in a bizarre world with bizarre characters, but the whole town and its inhabitants are absolutely marvellous creations. Laika is known for its hard work in creating animation and the results in The BoxTrolls are just superb. You'll be amazed by the level of detail the animators have put into the film to make it beautiful. To call the film "ugly" is insulting to the animators' hard work. The film is just beautiful. Creepy, but beautiful.


The Boxtrolls is the weakest of Laika's films, but that by no means makes it bad. The film has stunning animation, endearing characters, heart, humour and several great sequences. Unfortunately, some tonal and pacing issues hinder the story, and some important scenes are undermined by the attempt of the filmmakers to fix everything to achieve a happy ending. However, the film offers plenty of thrills to get you past these moments and everyone will have a good time with it. The BoxTrolls comes recommended.

8/10
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