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Frozen's Out Now in the US: What Did You Think?

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After months of hype and waiting, Walt Disney Animation Studios' 53rd animated feature film finally hit North American cinemas yesterday! We really liked the film, our friends at Rotoscopers really liked the film, most of Rotten Tomatoes really liked the film; so now we want to know, did you? If you've seen Frozen, what did you think of it? Is it as good as the hype suggests? Or not? Let us know below! If you've not seen the film, beware of probable spoilers in the comments section.

The film opened very strong (particularly considering the fierce competition from Lionsgate's second Hunger Games film, Catching Fire, which has already made over $200 million domestically, and over $300 million worldwide), with a Wednesday debut of $15.2 million. The film is on course for an impressive $80 million five-day opening across the Thanksgiving weekend. Tangled took $68.7 million over the same period in 2010, and went on to gross almost $592 million, so things are looking very positive for Frozen! (Box Office stats via THR.)


The general consensus is positive, Rotten Tomatoes calls it "beautifully animated, smartly written, and stocked with singalong songs, Frozen adds another worthy entry to the Disney canon." Check out a smattering of reviews from the web below.

DrewTaylor, IndieWire: "'Frozen' feels like classic Disney animation. If someone had announced "Frozen" as the studio's follow-up to 'Beauty & the Beast,' no one would blink. It's that good."

Claudia Ping, USA Today: "A thoroughly involving story — both modern and timeless — Frozen embraces the classic Disney tradition, while avoiding stock conventions and formulaic elements."

Stephen Holden, The New York Times"Allegorically, “Frozen” lacks the purity and elemental power of a classic myth like “Beauty and the Beast,” but at least its storytelling is fairly coherent, and its gleaming dream world of snow and ice is one of the most visually captivating environments to be found in a Disney animated film." (But avoid this review like the plague if you've not seen the film. The first sentence has a major spoiler.)



Meanwhile, a slightly snarky Todd McCarthy cynically calls it "shrewdly calculated." Adding "the most consistently annoying aspect of Frozen is the screenwriter's insistence upon putting banal and commonplace teen Americanisms in the mouth of Anna in a clear sop to that major component of the film's intended audience. Anna's dialogue is full of “you know” and “freaked out” and many other phrases her parents and sister never use; where did she pick them up? More than do the other characters, the two sisters have a plastic, big-cheeked, tiny-upturned-nose cherub appearance that looks fake and inexpressive and requires getting accustomed to." Ignore the grouching, very little of that is likely to annoy you. And McCarthy does at least concede that the film is "energetic, humorous and not too cloying... this tuneful toon upgrades what has been a lackluster year for big studio animated fare."(Again, beware of spoilers in this review.)

And should you need reminding, we (that's the royal we, for the moment) really liked the film. "Frozen is a triumph," said I, in my review. "A musically thrilling, narratively gripping, gleefully enthralling feat of animated excellence. It’s the best Disney film since The Lion King and, yes, it is the best animated film of the year."


Anyway, I'm rambling. What did you think of Frozen? And the Mickey Mouse short, Get a Horse!, that preceded it? Good? Bad? Great? Awful? Or, worst of all, mediocre? Tell us in the comments below!

Frozen hits UK cinemas on 6th December.

Munir's Disney Retrospective - Animated Classic #44: Brother Bear (2003)

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Last Week's: Munir's Disney Retrospective - Animated Classic #43: Treasure Planet (2002)

After departing from the Broadway formula for most of the new decade and striving for a darker approach, and yielding few effective results, the Disney Studio returned to a more 90s formula with Brother Bear. Bearing a striking resemblance to Tarzan in its music style, Brother Bear is not a perfect film, but remains one of the better films of this (mostly) lacklustre era. The main problem with the film is that it doesn't quite know what it wants to achieve, with many serious and powerful moments being hindered by poorly executed humour.

As many of you will know by now, Brother Bear tells the story of Kenai, a young man in a post Ice Age world who goes through a deep metamorphosis (both physically and internally) as he is transformed into a bear for a mistake he makes. Once transformed, he meets a young cub named Koda, and both start forming a brotherly bond, jeopardized by the terrible mistake Kenai made when he was human. The film tries to impart the messages of understanding others, tolerance and love. It mostly succeeds in this
endeavour but, then again, some annoying moments and characters prevent the film from achieving greater heights. It also plays it a little safe, not offering anything groundbreaking in terms of story, animation, characters or music. It seems like the filmmakers were content with just entertaining the audience, and, on that level, the movie succeeds.

In terms of characters, both of our central leads are well developed and their bond makes up the heart of the film. You root for Kenai and Koda and, when the big revelation comes near the end of the film, you feel for them and their plight. Unfortunately, the same can’t be said for the supporting characters, especially the two Moose brothers Rutt and Tuke. They come off as annoying and their jokes always feel dry and crash the drama that surrounds them. Thankfully their appearances are few and far between, so their damage doesn't hurt the film that much.

In the music department, Phil Collins returns after his success with Tarzan and employs the same technique he did for that film. There are some catchy tunes like "On my Way" and "Welcome," but none of them are as great as the ones for Tarzan, or any Renaissance film for that matter. The music blends very well with the film but, just like the movie, is merely serviceable.

Animation-wise the film has a colourful palette and some sequences are of striking beauty (a particular highlight is the "Transformation" sequence at the beginning of the film,) but the characters' design and most of the backgrounds are merely good.

Brother Bear did respectful business at the Box Office and was even nominated for an Academy Award (of course it couldn't stand a chance against Pixar's epic Finding Nemo), but seeing it ten years after it was released, it's obvious that is a film that is content with offering light-hearted entertainment without much substance or any groundbreaking element in any department. It's an enjoyable little film that never aspires to be anything else.

Rating: 3/5.

Next Week - Animated Classic #45 Review: Home on the Range (2004).

Frozen Opens With Massive $93 Million, Smashes Disney Records

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Frozen is an inexorable steamroller of momentum right now; the film has opened to extremely strong reviews, A113Animation readers seem very taken with it too, it's been given an A+ CinemaScore, and it's also racked up the biggest opening ever for a Walt Disney Animation Studios film, with a massive $93 million over the 5-day Thanksgiving weekend!

From a big Wednesday opening of $15.2 million, Frozen was predicted a 5-day gross of about $80 million - a prediction it's subsequently smashed. Playing at 3,742 cinemas in the States, the film took $66.7 million over the 3-day weekend, which is the second highest weekend ever for a non-first place movie (the huge amount Frozen took is doubly as impressive given that it wasn't even the highest grossing film of the weekend, facing fierce competition from monster-hit The Hunger Games: Catching Fire). Across the entire 5-day Thanksgiving holiday period, the film took in a whopping estimated $93 million, smashing the studio's previous record for the period, which was Tangled's $68.7 million haul in 2010. It's also the second highest Thanksgiving weekend gross ever (after Catching Fire), and the highest Thanksgiving weekend opening.


This is the third consecutive tentpole hit in a row for WDAS; Tangled went on to gross $592 million in 2010, and Wreck-It Ralph took $471 last year (amidst that was the modest-aimed, and quite low-grossing, Winnie the Pooh, which took $33 million). After less than a week, Frozen has a total worldwide gross of $110 million. With great word of mouth, and the holiday season approaching, Frozen seems poised to be huge for the Mouse House!

Congrats to directors Chris Buck and Jennifer Lee, producer Peter del Vecho, executive producer John Lasseter, and all the animation, story and art departments who made Frozen into the fantastic hit it is! UK audiences can check the film out from Friday onwards. Here's our review.

Also, check out who has an Easter egg in Frozen (credit: Cartoon Brew)!


Figures from Box Office Mojo. Via Cartoon Brew.

Annie Nominations: Frozen and Monsters University Lead the Pack

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The Awards season is upon us and the Annies have taken the lead, announcing their nominations for outstanding achievements in the animation field. For animation fans, this is the only time we can see animated films get rewarded in multiple categories, instead of just the usual "Best Animated Feature." Here's a full breakdown of the nominations for both production and individual categories in theatrical films:

Best Animated Feature
  • A Letter to Momo - 
GKIDS
  • Despicable Me 2 - 
Illumination Entertainment/Universal Pictures
  • Ernest & Celestine
 - GKIDS
  • Frozen - 
Walt Disney Animation Studios
  • Monsters University - 
Pixar Animation Studios
  • The Croods
 - DreamWorks Animation
  • The Wind Rises
 - Studio Ghibli/Touchstone Pictures

Outstanding Achievement, Animated Effects in an Animated Production
  • Alen Lai, David Quirus, Diego Garzon Sanchez, Ilan Gabai - Epic
 - Blue Sky Studios
  • David Jones - Dragons: Defenders of Berk
 - DreamWorks Animation
  • Joshua Jenny, Jason Johnston, Matthew Wong, Eric Froemling, Enrique Vila - Monsters University
 - Pixar Animation Studios
  • Jeff Budsberg, Andre Le Blanc, Louis Flores, Jason Mayer - The Croods - 
DreamWorks Animation 
  • Greg Gladstone, Nikita Pavlov, Allen Ruilova, Matt Titus, Can Yuksel - Turbo
 - DreamWorks Animation

Outstanding Achievement, Character Animation in a Feature Production
  • Thom Roberts - Epic
 - Blue Sky Studios
  • Jonathan Del Val – Despicable Me 2
 - Illumination Entertainment/Universal Pictures
  • Jakob Jensen - The Croods - 
DreamWorks Animation
  • John Chun Chiu Lee - Monsters University
 - Pixar Animation Studios
  • Kitaro Kosaka – The Wind Rises - 
Studio Ghibli/Touchstone Pictures
  • Tony Smeed - Frozen
 - Walt Disney Animation Studios
  • Patrick Imbert - Ernest & Celestine
 - GKIDS

Outstanding Achievement, Character Design in an Animated Feature Production
  • Carter Goodrich, Takao Noguchi, Shane Prigmore - The Croods
 - DreamWorks Animation
  • Sylvain Deboissy, Shannon Tindle - Turbo - DreamWorks Animation
  • Craig Kellman – Cloudy With A Chance of Meatballs 2 - 
Sony Pictures Animation
  • Chris Sasaki - Monsters University - 
Pixar Animation Studios
  • Christophe Lourdelet - A Monster in Paris
 - Shout! Factory
  • Eric Guillon – Despicable Me 2 - 
 Illumination Entertainment/Universal Pictures
  • Bill Schwab - Frozen
 - Walt Disney Animation Studios

Outstanding Achievement, Directing in an Animated Feature Production
  • Chris Sanders, Kirk DeMicco - The Croods
 - DreamWorks Animation
  • David Soren - Turbo - 
DreamWorks Animation
  • Chris Wedge - Epic
 - Blue Sky Studios
  • Benjamin Renner, Vincent Patar, Stéphane Aubier - Ernest & Celestine
 - GKIDS
  • Chris Buck, Jennifer Lee - Frozen
 - Walt Disney Animation Studios

Outstanding Achievement, Music in an Animated Feature Production
  • Alan Silvestri - The Croods - 
DreamWorks Animation
  • Henry Jackman - Turbo
 - DreamWorks Animation
  • Mark Mothersbaugh – Cloudy With A Chance Of Meatballs 2
 - Sony Pictures Animation
  • Heitor Pereira, Pharrell Williams – Despicable Me 2
 - Illumination Entertainment/Universal Pictures
  • Danny Elfman - Epic - Blue Sky Studios
  • Randy Newman - Monsters University
 - Pixar Animation Studios
  • Kristen Anderson-Lopez, Robert Lopez, Christophe Beck - Frozen
 - Walt Disney Animation Studios
  • 
Dominic Lewis - Free Birds - 
Reel FX

Outstanding Achievement, Production Design in an Animated Feature Production
  • Christophe Lautrette, Paul Duncan, Dominique R. Louis - The Croods
 - DreamWorks Animation
  • Yarrow Cheney, Eric Guillon – Despicable Me 2
 - Illumination Entertainment/Universal Pictures
  • Michael Knapp, Greg Couch, William Joyce - Epic
 - Blue Sky Studios
  • Zaza, Zyk - Ernest & Celestine - GKIDS
  • Ricky Nierva, Robert Kondo, Daisuke “Dice” Tsutsumi - Monsters University
 - Pixar Animation Studios
  • Michael Giaimo, Lisa Keene, David Womersley - Frozen
 - Walt Disney Animation Studios

Outstanding Achievement, Storyboarding in an Animated Feature Production
  • Steven MacLeod - The Croods
 - DreamWorks Animation
  • Eric Favela – Despicable Me 2 - 
 Illumination Entertainment/Universal Pictures
  • Dean Kelly - Monsters University
 - Pixar Animation Studios
  • Jason Hand - Planes
- Disneytoon Studios
  • John Ripa - Frozen
 - Walt Disney Animation Studios

Outstanding Achievement, Voice Acting in an Animated Feature Production
  • Paul Giamatti as the voice of Chet - Turbo
 - DreamWorks Animation
  • Terry Crews as the voice of Earl – Cloudy With A Chance of Meatballs 2
 - Sony Pictures Animation
  • Kristen Wiig as the voice of Lucy – Despicable Me 2
 - Illumination Entertainment/Universal Pictures
  • Steve Carell as the voice of Gru – Despicable Me 2
 - Illumination Entertainment/Universal Pictures
  • Pierre Coffin as the voice of Minions - Despicable Me 2
 - Illumination Entertainment/Universal Pictures
  • Billy Crystal as the voice of Mike – Monsters University – Pixar Animation Studios
  • Josh Gad as the voice of Olaf - Frozen
 - Walt Disney Animation Studios

Outstanding Achievement, Writing in an Animated Feature Production
  • Daniel Pennac - Ernest & Celestine
 - GKIDS
  • Daniel Gerson, Robert L. Baird, Dan Scanlon - Monsters University - 
Pixar Animation Studios
  • Miyazaki Hayao 
- Studio Ghibli/Touchstone Pictures
  • Jennifer Lee - Frozen
 - Walt Disney Animation Studios

Outstanding Achievement, Editorial in an Animated Feature Production
  • Darren Holmes - The Croods
 - DreamWorks Animation
  • James Ryan - Turbo
 - DreamWorks Animation
  • Fabienne Alvarez-Giro - Ernest & Celestine - 
GKIDS
  • Greg Snyder, Gregory Amundson, Steve Bloom - Monsters University
 - Pixar Animation Studios
  • Jeff Draheim - Frozen - 
Walt Disney Animation Studios




Frozen and Monsters University are at the head of the pack with 10 nominations each, followed by Despicable Me 2 and The Croods with 9. Turbo and Ernest & Celestine followed with 6, and Epic has 4. The Wind Rises and Cloudy with a Chance of Meatballs 2 have 3, and Planes, Free Birds and A Letter to Momo have one. As always, some nominations are cause for controversy. How could Dan Scanlon or Hayao Miyazaki not be nominated for Best Director but Chris Wedge is, for what it is easily one of the one worst animated films of the year? But, aside from that, most nominations are well deserved.

It's also worth noting that WDAS' short film Get a Horse! also got a nomination and Pixar's Toy Story of Terror! got an astounding seven! Not bad for a studio that many are claiming is going downhill, eh?

To see the rest of the nominees and categories go to the official Annie Awards site. The 41st Annie Awards ceremony will be held on 1st February, 2014. Make your predictions now!

Frozen Out Now In the UK! Who's Seeing It This Weekend?

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It's actually not been a particularly long wait (especially when compared to the 3 month gap between the US and UK releases of Wreck-It Ralph), but UK Disney fans should be extremely happy to know that Frozen, the studio's acclaimed new hit, is out now!



The film - which opened to record numbers for the Mouse House in the States - has just earned a whopping 10 Annie Award nominations, and, trust us, it deserves them. Prominent UK critic Mark Kermode calls the film "utterly charming" in his review, saying "the scenery looks like a mix of Norway and Narnia." Check out his review, from this week's Film Review show on Radio 5 Live, embedded above.

Another noted British reviewer, The Guardian's Peter Bradshaw, also enthused about the film in his review"It's a slap-up Christmas treat," he said. "A wide-eyed charmer of a film with terrific musical numbers from Kristen Anderson-Lopez and Robert Lopez... there are lovable characters and a robust, satisfying story with a big heart and a neat twist."Concluding, "it is glorious family entertainment."



Britons may also be interested to know that comedian Jack Whitehall has a small role in the film - more on that here. And Disney have released the entire "Let It Go" scene from the film (one of the movie's best) to try and convince you to see the film, too. Not that you should need convincing at this point... Check the clip out above.

Directed by Chris Buck and Jennifer Lee, produced by Peter del Vecho, executive produced by John Lasseter, with songs by Robert Lopez and Kristen Anderson-Lopez and voice acting by Kristen Bell, Idina Menzel, Jonathan Groff and Josh Gad, Frozen is out now! Here's our review.

If you live in the UK, are you planning on seeing the film this weekend? Have you seen it already? If so, what did you think of it? Let us know below!

Tarzan Composer to Score Ron Clements and John Musker's Moana

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Details are still scant for what is expected to be Disney’s 57th animated film, Moana. But today we've learned that the film, the next project by the revered duo of Ron Clements and John Musker (The Little Mermaid, Aladdin), has found its composer!
No, it's not Alan Menken (I was hoping for that too, believe me) but it is a Disney veteran: Mark Mancina, composer of Tarzan and Brother Bear. The news appeared on his official site on 1st August  where it says the following:
August 1st, 2013
Mark has completed the score for Planes, and will score Planes 2 for release next summer! He is also working with John Lasseter on a Disney feature animation called Moana with John Musker and Ron Clemens [sic].

Let’s skip the part that talks about Planes and be excited for the latter part of the news. While Menken would've been great, Mancina is not a bad choice. Tarzan's score is very good and I think Mark is an apt choice for the Polynesian musical fairytale. There’s still no word for a lyricist and we may have to wait some time to know that.

However, let's also note that the film is still some years away, so many things can happen. But, for the moment, let's be happy that another Disney composer has return for what I'm sure is going to be a great film.

Moana is expected to be released sometime in 2018.

Munir's Disney Retrospective - Animated Classic #45: Home on the Range (2004)

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And now, we've arrived at the moment where the word "classic" is really a stretch. Here's a movie that could've been a charming half hour special for the Disney Channel, but instead it's from the same studio that brought you timeless classics like Snow White and Beauty and the Beast. Home on the Range is the worst traditionally animated film from the studio, and now, nine years after its release, it's still hard to fathom why a film with such a generic story, unappealing characters and cheap animation was ever released to theatres.

Home on the Range tells the story of three cows, Maggie, Mrs. Calloway and Grace who live in an idyllic farm called Patch of Heaven. The three of them must unite forces to capture an infamous carte rustler called Alameda Slim, collect the loot on his head and save their precious farm from closure. 

The story sounds very simple which wouldn't be a problem if the filmmakers had done a great job at executing it. Instead, they keep it really simple and dull with dry humour and forgettable characters. The movie plays like a DTV ‘cheapquel' from DisneyToon Studios where it's not about a good story, but keeping the children entertained. And that's one thing this film will do, entertain the toddlers. But everyone else will be bored or even irritated by it.

Usually, even if the story isn't good, the technical presentation is impeccable, but in this case it seems that every single element was meant for the audience to feel they were watching something very cheap. There’s not a single inspired character design, great background or even a great sequence. Not even the casting works as, Roseanne Barr comes off as annoying as the main character. You don’t care for any of the characters or their plight, and it's like watching some sort of TV special that went terribly wrong.

The only mildly redeemable element is the music, which was composed by the great Alan Menken. It's the only thing that doesn't feel cheap, but it's still nowhere near his greatest soundtracks (Fun Fact: Alan Menken has received nominations for every single Disney animated film he has done, except this one). The score and songs try to pull the story up, but get crushed under the weight of mediocrity that permeates the rest of the film.

Home on the Range is one of the Disney’s worst films. In fact, if it weren't for its immediate successor, it would be their worst film. There's nary a single thing to praise about the film, and the finished product is something that should've stayed and died in the development room. I always recommend watching Disney animated films at least once, albeit for curiosity or historical value, but in this case I wouldn't want you to suffer through this monstrosity. No wonder why traditional animation became nearly extinct at Disney after this. Rating: 1.5/5.

Next Week - Animated Classic #46 Review: Chicken Little (2005).

Frozen Ices Over the US Box Office; Takes First Place in Second Week

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After a strong first week, taking almost $93.6 million in its first 5 days, Walt Disney Animation Studios'Frozen has managed another impressive showing at the US Box Office, supplanting The Hunger Games: Catching Fire as the States' top-grossing movie this week. The icy princess pic took an estimated $31.6 million this weekend, bringing its domestic total so far to $134.2 million, and $190 million worldwide.

The $31.6 million gross equates to a 53% drop (compared to Tangled's 56% drop back in 2010) from last week. The film also rolled out to international territories, including the UK, this week. Great reviews, strong word of mouth, and the Disney brand name mean Frozen seems poised to be a mega-hit.

Congrats to the Frozen cast and crew, on their film reaping its well-deserved spoils! If you've not seen it yey, you really should head to the cinema ASAP.

Stats and figures via Box Office Mojo.

Golden Globe Nominations: Frozen, Despicable Me 2 and The Croods Fight It Out, Monsters U Left Out

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Controversy is always abound with awards ceremonies, and this latest batch of Golden Globe nominations is no exception. But first, the positive: three really stellar animated films earned nominations for Best Animated Feature, with Universal/Illumination's Despicable Me 2, Fox/DreamWorks'The Croods, and awards-favourite Frozen all snagging a nomination. Now what seems to be missing from that line-up?

While in the TV section, heavy-hitters like Homeland, Game of Thrones and Mad Men were shut out, a notable snub was also going down in the feature animated film category; Pixar's Monsters University became the first film from the Toy Story studio not to snag a nomination for Best Animated Feature since the award's conception in 2006. This is particularly noteworthy, given that the studio have won the award every year except for 2011 (when even the critically-consternation-causing Cars 2 was still at least nominated).


While it's certainly a shame to see the hard work of the creative team at Pixar - led by first-time feature director Dan Scanlon - not recognised, the other three films are all very deserving of their nominations! As for our tip to win, I'd be very surprised and disappointed if Frozen doesn't take the gong.

Frozen also snagged another nomination (not shockingly) for Best Original Song, for the Idina Menzel-performed "Let It Go".

Steve McQueen's 12 Years a Slave and David O. Russell's American Hustle led the film pack, with 12 nominations apiece, with films like Captain Phillips, Gravity, Rush and Philomena also expectedly taking home a few nominations. Check out the full list of nominees here.

The 71st annual Golden Globe Awards will be presented on 12th January from the Beverly Hilton in California, with Tina Fey and Amy Poehler again hosting.

Speaking of awards, check out a smattering of this year's first wave of For Year Consideration ads (via Awards Daily) below. I really like the Frozen and Croods ones.







Meet Cate Blanchett-Voiced Dragon Rider in New How to Train Your Dragon 2 Still

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The sequel to DreamWorks' 2010 hit, How to Train Your Dragon, seems in many ways poised to be even bigger and better than the original. We got an intense teaser trailer for the film back in July, and now we've got a new still, introducing an interesting new character, voiced by Oscar winner Cate Blanchett! Meet Valka.

The still comes via USA Today, who describe the character as "a maverick Dragon Rider who lives as a recluse in the Arctic." And in How to Train Your Dragon 2, Valka apparently becomes "a mentor of sorts to the young Viking hero of the first movie, Hiccup."

Hiccup and his loyal dragon Toothless stumble upon Valka, who is busy "springing dragons from traps and hiding them in a refuge away from the villainous dragon hunter Drago Bludvist (Djimon Hounsou) and his No. 2, Eret (Kit Harington)."

Here's a bit more about the film and Valka's role in it:
"Her years of isolation and dealing with nothing but dragons and being very sympathetic to them has made her very distrusting of humans." 
Hiccup considers Valka to be a guru in a way, and he is wowed by the relationship between her and her dragon Cloudjumper. While Toothless was created to look like a black panther, Cloudjumper has owl mannerisms and a second set of wings under his main ones that "can actually splay and become an X-wing," DeBlois says. 
Hiccup is largely a pacifist, however, and can't grasp all of Valka's ideas, including hiding dragons and keeping them from coexisting with mankind. 
"He both admires her but sees her as what his life could be like taken to the extreme," DeBlois says. 
"Valka's life is not only learning about all (the dragons') secrets and ways and living among them, but also playing among them," he adds. "That's part of what she can show Hiccup, things he's never known about dragon behavior.''

Blanchett, who's earning lots of praise and nominations at the moment for her role in Woody Allen's Blue Jasmine, was approached by Dragon co-director and solo Dragon 2 director, Dean DeBlois, at the 2011 Oscar ceremony. There, DeBlois walked up and told the actress that he'd written her a part in the film; Blanchett, whose sons were big fans of the first film, accepted the role.


Expect the new trailer soon. HTTYD2 opens on 13th June, 2014 in the US, and 4th July, 2014 in the UK.

Munir's Disney Retrospective - Animated Classic #46: Chicken Little (2005)

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Last Week’s: Munir’s Disney Retrospective - Animated Classic #45: Home on the Range (2004)

The early-to-mid 2000s was a difficult time for Disney Animation, one where it tried to stay relevant amongst a fiercely competitive market. Troubled productions, half-baked stories and little revenue were some of the reasons why, in my humble opinion, they made the worst mistake they have ever made in their long and storied history. Instead of trying to tell better stories, executives blamed traditional animation as their main source of box office disappointment, judging it as "old fashioned" and switching completely to CGI like all the other studios. This not only caused Disney Animation to lose its identity, but also to hit rock bottom and release what can only be called their worst animated film of all time: Chicken Little.

If Home on the Range is an excruciating journey, Chicken Little is completely unbearable. Instead of relying on their instincts, Disney tried to copy other studios' styles in a desperate attempt to win more money and audience approval. While Pixar was enjoying immense success with films like Finding Nemo and The Incredibles, Disney opted not to analyse their films and try and figure out how they were doing it, no, instead they went for the DreamWorks formula, which, at that point, was full of grating jokes and pop culture references. This sitcom-esque style was wearing out its welcome by that point, but Disney and its "brilliant" executives thought that that was the formula of success. Thus, Chicken Little never had a fighting chance to be a better film.

Loosely based on a popular folk tale, the film tells the story of an outcast chicken who thinks the sky is falling. Ridiculed and bullied for this, he tries to blend in, until what he warned of actually happens and aliens invade the town, but not with nefarious intentions. What follows is a story of acceptance, communication and understanding... Oh wait, that's what the film should have been. But instead, it's a film with grating characters, dated animation and half-baked messages that are hindered with potty humour and a very slight story.

Directed by Mark Dindal (The Emperor’s New Groove), the film feels a lot like a DreamWorks film instead of a Disney one. The CGI animation never reaches the glorious heights of any Pixar film, or even some of the DreamWorks ones. Seven years have passed and the animation looks really old and a little bit cheap. Compared to the breathtaking animation we are accustomed to from most CG films, Chicken Little is definitely at the bottom of the pile. But, let’s put aside its technical issues and focus on the story and characters. I wouldn't have mind if the animation was a little rough... if the story was great and heartfelt and the characters were relatable. But no, the story tries to pack as many jokes in as it can, and while that may amuse toddlers and little children, it will annoy and bore adults looking for something more substantial. The father-son relationship offers nothing new; because the characters are one dimensional, you never feel anything for Buck and Chicken's story - Disney have released much better stories that deal with this issue. Mulan is a perfect example of a daughter who wants her father to be proud of her, and the story is full of great messages of courage, honour and sacrifice, which make you feel for Mulan and her plight. Here, because the movie is so full of jokes and not-so-stellar humour, you don’t take anything seriously and just sit there wishing it'll be over soon. The only character who is a little bit more layered than the rest is Abby Mallard, who isn't as painful to watch as the others. But, aside from that, the movie is just a shameful example of the state Disney Animation was in at the time. They were once the king of animation and were now reduced to imitating another studio that wasn't even 10 years old at the time, just to stay alive. A depressing thing to say the least.

Like Home on the Range before it, Chicken Little is a film that you can and should skip. If anything, it serves merely as a grim reminder of what Disney Animation used to be, and another cautionary tale of what not to do when you are trying to make an animated film. It's a film that does not represent anything that Walt Disney cultivated at the studio. It's a film made by a studio that was so beaten up, that the film can only be called a cry for help. Fortunately, a ray of hope came after it, one which would help return the studio to its former glory. In the meantime, just steer clear of this one. Rating:1/5.

This Sunday - Animated Classic #47 Review: Meet the Robinsons (2007).

2014 Critics' Choice Nominations Revealed

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Awards season is starting to gear up now, and you'll be happy to hear, after the somewhat controversial Golden Globe nominations last week, that the nominations for the 2014 Critics' Choice Awards are a lot more in line with what we were expecting. That is to say, Pixar's Monsters University and Hayao Miyazaki's The Wind Rises, notable omissions from the Globes, are both included in the animation line-up. Check the full list of five nominees for Best Animated Feature below.

The same three films that were nominated for the Golden Globe (that is to say, Frozen, Despicable Me 2 and The Croods) all got a nomination, alongside Pixar's Monsters University and Studio Ghibli's acclaimed The Wind Rises. Frozen and Despicable Me 2 also nabbed nominations for Best Original Song, for "Let It Go" and "Happy" respectively.

I'd expect to see Frozen win, but The Wind Rises has strong praise behind it too, and is further bolstered by the fact that it's apparently animation legend Hayao Miyazaki's last film.

Check out the full list of nominations here. The winners will be announced on 16th January, 2014.

Joseph Gordon-Levitt To Front English-Language Dub of Miyazaki's The Wind Rises

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Hayao Miyazaki's ostensibly final film, The Wind Rises, is earning a lot of praise right now - just yesterday it was one of five animated films to get nominated for this year's Critics' Choice Award for Best Animated Feature. As such, the English-language dub of the film isn't far off. And while English dubs are often a bit of an irritant or distraction (Spirited Away, Ponyo, etc...), this one, fronted by Internet-favourite Joseph Gordon-Levitt, is really rather exciting.

Gordon-Levitt (Looper, The Dark Knight Rises), who recently released his directorial debut, Don Jon, will provide the dub for the film's main character, Jiro Horikoshi, a talented plane engineer, haunted by the use of his designs during World War II. Also on the cast are JGL's Looper co-star Emily Blunt, John Krasinski, Martin Short, Stanley Tucci, Mandy Patinkin, William H. Macy, Werner Herzog, Mae Whitman, Jennifer Grey, Darren Criss, Elijah Wood and Ronan Farrow. Check out who's voicing who over at USA Today.


With stars from everything ranging from franchise movies like Lord of the Rings and The Hunger Games, to hit TV shows like The US Office and Homeland, it's a pretty impressive cast, and one gleefully devoid of massive stars who would phone in a performance, or Disney Channel stars who would only serve to irritate. It looks like the darker, more serious tone of the film is being preserved.

In fact, Gordon-Levitt said of the film, when posting the photo at the top of this post on Facebook"Not exaggerating, it's one of the most beautiful movies I've ever seen." And we're inclined to believe him.

The dubbed version of the film hits US theatres on 21st February. Still no UK release date announced though.

Via /Film.

Studio Ghibli Announces New Film for Summer 2014!

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The majority of the world still hasn't seen Hayao Miyazaki's latest and final masterpiece, The Wind Rises, nor Isao Takahata's latest, The Tale of Princess Kaguya, but that hasn't stopped Studio Ghibli from announcing their next project, due for release in Japan next Summer. The film is called When Marnie Was There, and it'll be helmed by The Secret World of Arrietty director Hiromasa Yonebayashi.

When Marnie Was There will be an adaptation of the children's novel of the same name, written by Joan G. Robinson. This is a brief synopsis of the book posted on its Amazon page:
Anna hasn't a friend in the world - until she meets Marnie among the sand dunes. But Marnie isn't all she seems...An atmospheric ghost story with truths to tell about friendship, families and loneliness. Anna lives with foster parents, a misfit with no friends, always on the outside of things. Then she is sent to Norfolk to stay with old Mr and Mrs Pegg, where she runs wild on the sand dunes and around the water. There is a house, the Marsh House, which she feels she recognises - and she soon meets a strange little girl called Marnie, who becomes Anna's first ever friend. Then one day, Marnie vanishes. A new family, the Lindsays, move into the Marsh House. Having learnt so much from Marnie about friendship, Anna makes firm friends with the Lindsays - and learns some strange truths about Marnie, who was not all she seemed...

The synopsis sounds exciting, and it seems the perfect choice for a Ghibli production. Are you already excited for the newest Ghibli film?

Related news: Joseph Gordon-Levitt To Front English-Language Dub of Miyazaki's The Wind Rises

New How to Train Your Dragon 2 Trailer: Beware Dragon Hunters and Spoilers

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The first full length trailer for DreamWorks' hotly-anticipated How to Train Your Dragon 2 has arrived, and it's fantastic! Unfortunately, it also packs a pretty hefty spoiler. But first, the positives: the film looks absolutely phenomenal. More dragons, more intensity, more badassery, and the set-up for what looks to be one of DreamWorks' most mature films yet - it's a trailer worth watching... most of it, anyway.


Unfortunately, and apparently against DreamWorks' best wishes (see the tweet embedded above), the trailer does have a pretty important spoiler in it. It's nothing that would ruin the film for you, but it's definitely something - at least in my opinion - that you'll want to be shocked by in the film, not the trailer. I'd recommend skipping everything from 1:10 - 1:35.

Anyway, without further a faff, check out the new trailer for How to Train Your Dragon 2 below.



Directed by Dean DeBlois, and starring the returning voices of Jay Baruchel, Gerard Butler, America Ferrera, Jonah Hilll, as well as new additions Cate Blanchett (voicing new character Valka, who we met on Monday), Djimon Hounsou and Kit Harrington, How to Train Your Dragon 2 hits cinemas on 13th June, 2014 (US)/4th July (UK).

Edgar Wright Has Found His Ant-Man: Paul Rudd!

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After many weeks of speculation, Marvel have announced that Paul Rudd will star as the size-changing superhero in Edgar Wright's kick off of Phase 3 in the Marvel Cinematic Universe!


Here's the statement from Marvel:

Marvel’s “Ant-Man” has found its hero in Paul Rudd, who will star in the new film from director Edgar Wright hitting theaters July 31, 2015!

The casting of Rudd represents the actor that Marvel had long ago identified as its first choice to play Ant-Man, continuing the studio’s desire to cast actors that bring several dimensions to its onscreen heroes. The film’s plot is being kept under wraps.

“When Edgar Wright came to us with the idea of Paul Rudd, we felt a huge sense of relief because the first step in creating any Marvel Studios film is finding the right star,” said Marvel’s Kevin Feige. “We knew early on that we had found the right person in Paul. When he not only agreed to do it but became as enthusiastic as any actor we’d ever met with about doing the work, we knew we’d found the right guy. We couldn’t be more excited for our audiences to see what he’s going to do to bring Ant-Man to life.”

Extremely exciting to know that Hank Pym (or is it Scott Lang?) has finally been cast, although principle photography will not begin until mid-2014. With Edgar Wright (Shaun of the Dead, Scott Pilgrim vs. The World) directing and Joe Cornish (Attack The Block, Adam and Joe) co-writing, Ant-Man's production is going to be very closely watched over the next year and a half.

Ant-Man is due for release 31st July, 2015.

Watch: Epic New Promo for Disney's Frozen

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Frozen is riding a tidal wave of momentum right now, and - particularly with some international release dates still to come, and a hopefully big Christmas period haul in the US, UK, and other territories - Disney are capitalising on that, by building the well-deserved hype surrounding the film. Namely, check out this powerful new promo for the film, focusing on the stellar reviews it's earned.

For the record, I've seen it three times now, and loved it whole-heartedly every single time.

Ice Age 5 Coming in 2016 (Yes, Really), Anubis Pushed Back to 2018

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This news is sure to draw collective groans from animation fans, particularly given the rate at which the quality of the films is plummeting (just have a gander at their Rotten Tomatoes scores), but so long as they keep bringing in the mammoth (no pun intended) numbers that they are doing (Continental Drift, the fourth film in the series, made almost $875 million worldwide), Fox and Blue Sky will keep making Ice Age films. And the fifth one is coming in 2016.

The fifth instalment in the $2.8 billion grossing Ice Age series has taken the 15th July, 2016 spot previously occupied by Anubis (an Egyptian adventure film loosely based on Bruck Zick's book The Anubis Tapestry: Between Twilights). Anubis has made a big step back to 23rd March, 2018.

Given that I've not particularly enjoyed an Ice Age film since the second one, seven years ago, I'm very uninterested in a fifth instalment. But if, by chance, you're still excited about a new Ice Age film: Hi. Nice to meet you. I heard rumours that you were out there somewhere!

Nonetheless, Blue Sky do have some exciting films on their radar, like 2015's Peanuts film, and Anubis, and Carlos Saldanha's Ferdinand. It just seems that we're going to have Blue Sky's slate forever punctuated by umpteen Ice Age movies...

Via ComingSoon.net

Munir's Disney Retrospective - The Revival Era (2007 - Present) Introduction

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Last Week’s: Munir’s Disney Retrospective - Animated Classic #46: Chicken Little (2005).

After a very difficult early/mid-2000s, Walt Disney Animation Studios could've easily ceased to exist and no one would've cared. Yes, the oldest animation studio was in such a crisis that putting it out of its misery was a very viable and merciful option at the time. Thank goodness for John Lasseter. Yes, I just said that. The man often reviled nowadays, John Lasseter, completely rehauled the studio, giving it back its identity, putting it back on the map and making it a worthy competitor to the other animation studios again. He healed the heart of the Disney Company and released a string of films that, step-by-step, created a stronger studio, a confident studio that not only embraced its rich history but also wasn't afraid of trying new things and delivering fresh stories with wonderful characters and heartfelt messages. Better still, the studio was no longer a DreamWorks or Pixar wannabe, but had its own style to differentiate it from the others. That wasn't an easy feat. Critical reception and box office started to grow slowly but surely, and now, seven years after Lasseter took over, the studio is back where it was always meant to be: at the very top of the pack. Whether it's a musical fairy-tale that pays homage to the Renaissance features while also offering something new and exciting, or a completely fresh story set in the video gaming world or a shiny future, Walt Disney Animation Studios has returned from the dead, risen like the phoenix, and taken the world by storm. We can only hope that this comeback will never subside again, as the studio's recent output has been simply outstanding to say the least. Welcome back Disney Animation, I hope you're here to stay!




Tomorrow: Animated Classic #47 Review: Meet the Robinsons (2007).

Munir's Disney Retrospective - Animated Classic #47: Meet the Robinsons (2007).

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Make Sure You’ve Read: Munir’s Disney Retrospective - The Revival Era (2007 - present) Introduction.

I'm very fond of Meet the Robinsons. It's not a perfect film but it did something remarkable for the studio and for me: it gave us both hope. Hope that a better studio was coming and hope that their future output would return it to its former glory.

I clearly remember I didn't want to see Robinsons in theatres. After the disasters that Home on the Range and Chicken Little were, I was done with Disney Animation. I was completely devoted to Pixar and eagerly awaiting Ratatouille. Robinsons? Not so much. I saw the trailers and I wasn't particularly impressed and, based on the studio's previous misfires I didn't have any reason to believe this one was going to be good. Sure, I knew that John Lasseter was helming Disney Animation now, but I didn't think too much of it. All I cared about was Pixar. Then, my little brother begged me to take him to see Robinsons and, after some time spent refusing, I begrudgingly agreed. We got into the theatre and I braced myself to endure an hour and a half of crap. The castle logo appeared and then... Mickey Mouse from Steamboat Willie was there and the words "Walt Disney Animation Studios" appeared. 'That's new,' I thought, and that was the first of many unexpected, and very pleasant, surprises the film had in store for me. From the very beginning I found myself enjoying the picture, rooting for the characters and having a great time, something I hadn't had with a Disney Animated film for a very long time. I went out of the theatre smiling and thinking that there was still hope for the studio.

I think that many people that went to see Robinsons felt the same way when they saw it. I think that was what Lasseter wanted the audience to think. That the studio we all knew and loved was coming back. And he shepherded a great film to deliver that message.

I won't go into a detailed synopsis as I assume most of you have already seen this film. The movie tells the story of Lewis, an orphan boy who's an inventor, with the sole wish of getting adopted. When that doesn't happen, his frustration leads him to a serious of events where he ends up in the future, and the space-time continuum rest in his hands. Like many time travel films, Robinsons has some convoluted storytelling that sometimes leaves you scratching your head, but, overall, the story is a coherent one where the ending and the beginning meet in a nice way. After lots of poorly constructed characters, we finally had one that we could root for, one who feels real for the audience. Lewis is a character that you can relate to; you can feel his pain, anger, enthusiasm and frustration. Wilbur is a great supporting character, who provides some comic relief but also helps our hero discover who he is. And The Bowler Hat Guy is a goofy villain that reminds me of Captain Hook, but who in the end has a surprisingly sad twist. Chances are you won't remember the rest of the Robinson family, but, as a whole, they're endearing and funny and are really a group of people you wouldn't mind being related to. I mean, who else celebrates your failures? That's pretty awesome if you ask me.

The animation isn't Pixar-level stellar, but, compared to Chicken Little, it's like the difference between day and night. The main problem is in the characters design, which feels a little dated (just compare Lewis to Rapunzel and you can see the difference) - but in terms of backgrounds, the movie has some of the most inspiring sets I've seen. One of the most superb sequences in the movie is the first time Lewis and Wilbur go to the future. That sequence is amazing, and you can see the animators' inventiveness at work. The future world looks amazing and to this day still causes tingles down my spine every time I see it.

If you only know Danny Elfman for his spooky scores for Tim Burton films, then you'll be surprised at how sweet and soft the music is in this film. The score is very nice and has the right touches in the right moments, helping to elevate the story even more.

As I mentioned above, the story is a little convoluted and messy at times, and if you think too much, many moments don't make sense. But, I commend the film for not going the easy route and telling an easy story designed just for toddlers (something we saw a lot in its predecessors), and instead actually trying to engage all the audience and make them actually think, rather than giving them everything on a plate. It may have not entirely succeed but at least it tried, and the twists and turns the film has in its second and third act feel fresh and exciting (even if I think the third act feels a little rushed - but that's just a minor complaint).

Meet the Robinsons started as a troubled production that could easily have gone the Chicken Little route. Then, John Lasseter stepped in and helped director Stephen Anderson to reshape the film into something  much more original, fresh and fun. Something that every member of the family, and not just the little ones, could enjoy. Meet the Robinsons may not be a masterpiece, but it signalled a new direction at Walt Disney Animation Studios. From the new logo to the epilogue where they link the film to Walt Disney, Meet the Robinsons was the dawn after many bleak nights at the studio. A studio that embraced the film's motto and also told us, the audience, to do the same thing and trust them again: Keep Moving Forward. Rating: 4/5.

Next Week - Animated Classic #48 Review: Bolt (2008).
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